Moog CP-251 Instructions d'exploitation télécharger pdf (Page 15)

COMPLEX TIMBRAL MODULATION

1. Using a 1⁄4” patch cable, connect the CP-251 LFO Triangle

output to an Attenuator Input

2. With another 1⁄4” patch cable, connect the Attenuator

Output to the Minitaur’s FILTER CV jack.

3. On the Minitaur, set the LFO RATE control and the VCF

LFO AMOUNT controls to the 12 o’clock position.

On the CP-251, set the LFO Rate control to 1 o’clock and adjust the

Attenuator to +3 on the dial. This will result in a complex modulation

effect as the Filter Cutoff Frequency is modulated by both LFOs. Setting

the LFO rates considerably higher will result in even wilder timbral

textures, while very low settings will create slowly evolving complex

filter sweeps. For a “random stepping” filter effect, use the S&H Out 1

in place of the LFO Triangle out.

Using the multiple jack on the CP-251, you can simultaneously route the

LFO or S&H modulation signal to the Minitaur’s Pitch, Filter and Volume

inputs all at once, or split the modulation signal using the multiple jack and

route it into both Attenuators to have two controllable modulation sources.

WE’VE JUST SCRATCHED THE SURFACE

Other CV-equipped gear like our Moogerfooger analog effects can be used

to expand the sonic potential of the Minitaur. We encourage you to experiment;

whether you are trying to create an original sound or duplicate an existing

sound, experimentation is part of the fun!

APPENDIX C - CARING FOR THE MINITAUR

Clean the Minitaur with a soft, slightly moist cloth only – do not use solvents

or abrasive detergents. Heed the safety warnings at the beginning of the

manual. Don’t drop the unit. If you are shipping your Minitaur to the factory

for servicing, we recommend using the original shipping carton, or an ATA

approved Road Case.

AN IMPORTANT NOTE ABOUT SAFETY: Do not open the chassis. There are

no user serviceable parts in the Minitaur. Maintenance of the Minitaur

synthesizer should be referred to qualified service personnel only.

APPENDIX D - USING THE CP-251 WITH THE

MINITAUR

The Moog CP-251 Control Processor makes an ideal companion to

the Minitaur. It provides an LFO with two waveforms (Triangle/Square),

a Sample & Hold circuit with two outputs (Stepped/Smooth), a Lag

Processor, Noise source, and a Mixer and two Attenuators. The CP-251

greatly expands the sonic palate of the Minitaur, allowing for the creation

of new sonic textures.

Here are some possible configurations for using the CP-251 with the

Minitaur. Grab some patch cords and try these suggestions!

NOISE AS AN AUDIO SOURCE

You can use the CP-251 Noise source as an audio source to add inter-

esting artifacts to an existing sound (for example, creating the

illusion of ‘breath’ ) or process the noise just by itself to create snare,

wind, and surf sounds. Simply route the CP-251 Noise output through

an attenuator and then into the Minitaur’s Audio In jack. Noise never

sounded so good!

NOISE AS A CONTROL VOLTAGE

You can use the CP-251 Noise source as a Control Voltage by simply

routing it to any of the Minitaur’s CV inputs (PITCH, FILTER and VOLUME),

but a better method is to route the Noise through an Attenuator first:

1. Using a 1⁄4” patch cable, connect the CP-251 Noise output

to an Attenuator input.

2. With another 1 ⁄4” patch cable, connect the Attenuator

output to one of the Minitaur’s CV jacks.

This will allow you to raise or lower the Noise level as desired, adding

just a touch of noise to add realism to a sound, or a blast of noise for

extreme sonic effect.

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Moog CP-251 Instructions d'exploitation Page 15

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