Moog Sub 37Moog’s latest synth, the Sub 37, sees the company return to the form that made their reputation back in the 1970s. SynthesizerGORDON REIDOn
sawtooth to square to pulse waves, the same 16’, 8’, 4’ and 2’ footages, the same square-wave sub-oscillator one octave below Osc1, the same hard sync
I was rather critical of the Sub Phatty’s I/O panel because its black legends embossed on a black background made it impossible to tell which hole was
I must admit to being a fan of the Sub 37’s six-stage contours. If you want to approach the generators as conventional ADSRs, the standard eight knobs
MIDI, and the fourth is Loop, which loops the DAHDR stages, with the Sustain determining the break point between the D and R stages. This turns each g
will either extend a note or create a legato transition from one to the next. This can be particularly effective if the patch includes legato portamen
Moog synth ever”. If he wasn’t wrong then, he is now. The Sub 37 can snarl like no other Moog, but it’s equally adept at gentler sounds and classic pa
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