Understanding and UsingYour moogerfooger® MF-105M MIDI MuRF® TABLE OF CONTENTSGetting Started...
ENVELOPE GENERATORS Now that we have explained the MIDI MuRF’s lters, let’s proceed with some more denitions to explain the Animation function.
well. Vintage sequencers were typically designed so there were a certain number of "steps". The term "step" refers to the individu
individual lters. Illustrations of all the Patterns are in Appendix A, page 27. Return to the basic setting shown in gure 2, which features patt
11 shows the changes to the envelope times at different settings of the Envelope control. The Envelope times also change as the RATE changes. Faster R
THE AUDIO LEVEL CONTROLS AND MIXING The DRIVE control adjusts the signal level at the MIDI MuRF’s circuit input. With this control you can set the r
EXPRESSION PEDALS AND VOLTAGE CONTROL You now know what each of the rotary controls does to the sound of the MF-105M. The ENVELOPE, MIX, and RATE co
position increases that value, pulling back to heel position decreases the value. The expression pedal inputs can also be used as control signal inp
setting, and 13-24 are accessed by the PATTERN switch in the MIDS voicing setting. Using MIDI Program Change Messages values 0-23 accesses the MuRF pa
MIX: CC8. When the MF-105M receives a CC8 message on the MIDI channel that is assigned, the value of the CC8 message overrides the setting of the fron
setting (i.e. the switch in the ON position, and the MIDI CC85 value received is 0). Moving the front panel LFO switch restores this parameter to its
Welcome to the world of moogerfooger® Analog Effects Modules! Your model MF-105M MIDI MuRF is a rugged, professional-quality instrument, designe
clock and returns the MIDI MuRF’s lters to control by the EGRs triggered by the current Pattern. If the Pattern selected has no Animation (i.e. facto
1/8 note (CC Values 084-089), Clock messages: 12 Dotted 1/16 (CC Values 090-096), Clock messages: 91/16 note (CC Values 097-102), Clock messages: 6Do
that is assigned, the MIDI MuRF pattern clock stops running, and that lter’s EGR is red. If a Note On is held until the EGR goes through its complet
page 23Mute Mode cannot be used at the same time as Step Mode so if Note on Value 108 is received, Mute Mode Note on values are ignored. MIDI CCs 20-2
page 24SOME TYPICAL SETUPSUPWARD STAIRCASE WITH RHYTHMIC VARIATIONHere is a variation on the basic setting of gure 2 that shows off the ability of th
page 25Figure 13 - Power Input ConnectorTECHNICAL INFORMATIONNOTE: The following information is intended for use by people who understand analog elect
PEDAL INPUTS: All pedal control input jacks are 1/4" tip-ring-sleeve (stereo) phone jacks. The sleeves are grounded and the ring terminals are
page 27voltages to the tips of the pedal control input jacks. The LFO/SWEEP jack can also receive 0 to +5 Volt programming voltages. AUDIO PATH: The
3) Upward Cascade4) DoubleX5) Perpetual Motion6) Stereo Pyramidpage 28APPENDIX A: THE MuRF’s PATTERNSBASS FILTER VOICING1) No Animation2) Downward Sta
8) Inverted Rhythmicon9) Prime Number Rhythmicon10) Folded Rhythmiconpage 2912) Big Beat11) Breakbeat7) Double Dip
GETTING STARTED Here are some simple instructions on how to plug in and try out your MF-105M before you have read through the entire manual.1. Unpac
MIDS FILTER VOICING1) No Animation2) Upward Staircase3) Downward Cascade4) Criss Cross5) Brownian Motion6) Random-likepage 30
7) Downward Band Expansion8) Down and Uppage 319) Pulsar 10) Growing and Shrinking Band11) Double Cascade12) Rhythmicon
page 32FunctionTransmitted Recognized RemarksBasic Default Channel ChangedXX11-16 DefaultMode Messages
APPENDIX C: WARRANTY INFORMATIONLIMITED WARRANTY Moog Music warrants that its products will be free from defects in materials or workmanship, and sh
Appendix D: MF-105M SPECIFICATIONSDESCRIPTION:Analog effects module incorporating two functions: 8 – band Resonant Filter Bank and 24-Pattern Sequenc
RATE, ENV, LFO/SWEEP, MIX, all of which are TRS " jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from
5. Connect a MIDI Cable from the MF-105M’s MIDI In to the MIDI Out on a MIDI Controller of your choice: MIDI sequencer, Drum Machine, a MIDI foot cont
automatically in sequence by the Animation at a tempo determined by the RATE control. Note that changing the ENVELOPE control affects the shape that t
In general, bright sounds have lots of strong overtones, while darker, mellower sounds have fewer (and weaker) overtones. A lter is a signal
The MIDI MuRF’s FILTERS The MIDI MuRF contains 8 lters that can be congured for bass or mid-frequency voicing by the FREQ slide switch on the fr
5) Now, play a bright, sustained sound, preferably of low pitch into the MIDI MuRF - keep in mind that lter effects work by removing frequencies, so
7) The Filters’ resonant frequencies can be shifted up and down by a small amount to create an effect similar to phasing. Figure 8 shows a graph that
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